THE Gynocratic Art Gallery

value the brain & cut the priviledge




Slow. Sustainable. DIY. Green. Local. Anti-mainstream.
These are the ideals that drive the popularity of the contemporary craft movement. But what is rendered invisible in the celebration of craft as a means of social change?
Where and how does race intersect with craft practices and craft discourse?
The artists and writers in this exhibition foreground alternative practices and genealogies. They make visible the neoliberal underpinnings of the contemporary craft movement. They reveal how craft is marked by race, heteropatriarchy and colonization, and they challenge an environmental politics founded on sustaining whiteness.
In RaceCraft, being “crafty” is not just aptitude and a lifestyle choice. It is artful subterfuge in the face of racial constraints.
Co-curated by Marie Lo and Sarita Echavez See.
Contributors’ works will be published in staggered waves from late October to mid-November 2015, after which the whole exhibition will be archived permanently here on CA+T’s website.
Contributors include: Kimberly Alidio, Aram Han, Kiam Marcelo Junio, Bovey Lee, Kang Seung Lee, Marie Lo, Tim Manalo, Alfred Marasigan, Do Ho Suh, Stephanie Syjuco, Namita Wiggers, and Kristina Wong.
Special thanks to Jan Christian Bernabe for curatorial guidance; Martina Dorff and Gian Dionisio for research and clerical assistance; and the California Institute of Contemporary Arts for fiscal support.
Fall 2015

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